Objective

TEAGUE is a design consultancy that has worked with Boeing for the past 70 years.

For this project, TEAGUE wanted us to envision and design the experience of space travel.

Focus Areas

During our research, we were really interested in the fact that space travel takes a long time. Even a short trip can take a week, most of which there is nothing to see and nowhere to go. Essentially, the tourists are trapped together in a very small room.

Knowing that, there were 3 main areas we wanted to focus on:

  1. 1. Conflict
  2. 2. Limited Space
  3. 3. Orientation and Weightlessness

Conflict

People are not meant to be confined in a small area together for long periods of time. Without the ability to “escape” from human interaction, people get frustrated and start conflicts.

Research Point: Irrational Antagonism

“When one has nothing left to reveal to the other, when even his unformed thoughts can be anticipated… the way he blows out a pressure lamp or drops his boots on the floor or eats his food becomes a rasping annoyance.”

Packing for Mars, Chapter 2: Life in a Box

Research Point: Immersion Studies

We also confined ourselves in a storage closet for 3 hours to understand how that affects interactions.

Limited Space

The dimensions of the pod were quite small. How do you design for many different scenarios and activities and make them fit inside a small space?

Orientation

There is no up or down and everyone is weightless. There is no ground plane for us to conceptually ground ourselves. Can we leverage this in our design?

Design

With conflict, limited space, and lack of orientation in mind, we designed a space that was empty but could transform into different configurations using partition straps.

Straps also double as a form of navigation. To move around in space, people need to grab onto something and push away. In this case, they can grab a strap and pull to propel themselves around.

As straps twist, they partition the space in different ways. A loose twist opens up the space; ideal for playing around or looking outside. A tighter twist partitions the space into pockets, allowing tourists to not be together all the time.

Here are some configurations we envisioned:

Config / Tour

When tourists want an unblocked view of the outside, straps can fully untwist.

Contextual information is projected onto the windows to help show the constellations and landmarks outside.

Meanwhile, the holographic display on the table shows the journey route and what’s coming up next.

Config / Play

Most of the trip, there is nothing to see outside; just vast emptiness. Tourists can untwist the straps and explore zero gravity by playing around.

Config / Campfire

While sitting down isn’t necessary in space (your legs don’t get tired), the act of sitting down helps people relax and hang out.

Inspired by campfires, we designed circular seating where people can strap themselves down and hang out during the end of the day, share stories, eat dinner, and enjoy each other’s presence.

Config / Break out

Sometimes, people just want a break from others. They can go to one of the partitions created by twisting straps and be alone.

Here, a tourist is underneath the dome, enjoying the view.

This works in different orientations, allowing tourists to grab on and suspend themselves in different areas.

Roles

Design

Misung Pollmann
Nicolas Iwanchuk
Nirawit Jittipairoj
Samantha Spaeth

Physical Mockups

Misung Pollmann
Nicolas Iwanchuk
Samantha Spaeth

CAD

Nirawit Jittipairoj

Renderings

Nirawit Jittipairoj